Klipsch RB-41 II Bookshelf speakers - Pair, black, Ex. Mid Century Modern Bookcase Tall Bookshelf Wood Bookshelves MCM Corner $0 (mil) pic hide this posting restore restore this posting. Pair of Vintage Acoustic Research AR 218V 2-Way Bookshelf Speakers $80 pic hide this posting restore restore this posting. Which is interesting, as I have seen plenty of positive comments on various forums.Put books, document, knickknacks on the. Overall, and despite trying very hard, I struggled to find anything that I would like about these speakers. The vocals and guitars tend to sound ok, but nothing to write home about. This means that instead of creating an illusion that I am at a concert, they just make me feel like I listen to a set of speakers. When I switch from Yamaha’s to JBLs, everything becomes smaller and shallower. Furthermore, the speakers give an impression of a relatively small sound stage – this is especially noticeable, when I compare them directly with my Yamaha NS-1000. ![]() Also, I did not enjoy the woodwind instruments on the JBL L20T – instead of soulful and enjoyable experience that I usually have with Ben Webster’s My Romance album, I received fairly cold and not a very engaging one. Clapping sounds more like rain, and this is very noticeable on live recordings such 4 Jezdzcy by Kult from their MTV Unplugged album. The midrange and treble do not seem to be well balanced. This is very noticeable on recordings with pianos and double bass. Unfortunately, regardless of how many attempts I made, this leanness did not go away, and I constantly felt a lack of something. The speakers go quite low for the size, however, because of the amount of treble they generate in relation to bass, they sound quite thin. The attack is pretty good and the drums can sound quite dynamic, albeit not very realistic in terms of tone. I was hoping that this feeling will go away as I spend more time listening to the speakers.įor their relatively small size, JBL L20T are capable of playing quite loud without any audible signs of distortion, which can make songs such as The Flat Earth by Thomas Dolby enjoyable when played loud. It felt as if something was missing in the midrange, which made them sound a little bright. When I plugged them in for the first time, they very much reminded me of my laptop speakers (i.e. Having experienced and being impressed by older JBL monitors, I had really great hopes for these JBL L20T bookshelf speakers. The crossovers are pretty standard and feature fairly decent components (in comparison to JBL crossover’s from the 70s). These are driven by relatively hefty ferrite magnets, mounted on the back of rigid cast alloy baskets. The tweeters feature domes made from titanium, whereas the bass drivers feature cones made from polypropylene, suspended on rubber surrounds. The drivers are very neat and remind me a bit of the units from Yamaha NS-1000s – very industrial and solid. Quite rigid and relatively heavy considering the size. ![]() The enclosures are made of chipboard, finished in a real wood veneer and dampened with open cell foam. Considering their size, they offer extremely high power handling, which combined with their average sensitivity of 87dB, means that they can be played fairly loud. They feature JBL’s acclaimed titanium high frequency transducer, O35Ti, which allows them to go way above the audible frequency range. The JBL L20T’s were a compact two way bookshelf speaker, that according to JBL, are supposed to offer extended frequency response, great dynamic range and reproduction of the full sound stage. The studio equivalent of the reviewed speakers were the JBL 4406 – nearfield studio monitors. As previously, the whole series was a domestic version of JBL’s studio monitors from that era, and included the following models: L20T, L60T, L80T and L100T. Following the success of JBL’s L Series from 1970s, JBL decided to release another L Series in the mid-80s.
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